COMMUNITY ART EXHIBITIONS AT THE WAREHOUSE GALLERY
3/22/07: For Immediate Release. Dowload press release here.

Cycle of Life - Green Lakes
Photographs by Marna Bell


17 March – 17 April 2007
Tues – Sat, 10 am – 6 pm
Reception: 5 April 2007, 5 – 8 pm

The Link
Community Art Space at The Warehouse
350 W. Fayette St. (at West), Downtown Syracuse, NY


Cycle of Life – Green Lakes is a collection of photographs born out of Marna Bell's early training as an abstract expressionist. This group of digital photographs charts the changing seasons and explores the expansive realms that lie beneath the surface of the azure waters of Green Lakes State Park in Fayetteville , New York . For the artist, this series stands as a personal record of time, a collection of moments that address the cycles inherent in nature.

Artist Statement : "Looking through the lens of my camera has helped me through one of the most difficult periods of my life. Green Lakes represents a period of time between the autumn of 2005, when I received a camera from my mother, to August 10, 2006, the day my mother died. During this time I took over 4,000 photographs of the changing lake and surrounding woods. The leaves and trees became old, familiar friends, and I began to recognize them as they went through their own cycle of life. These images are a record for me, a visual history of decay and regeneration. This show is dedicated to the memory of my mother, Edith Fuhrman."

About Marna Bell: Born in Brooklyn , NY . Bell received a BFA from Pratt Institute in Brooklyn , NY and an MFA from Syracuse University . She has exhibited widely in New York State , and her impressive exhibition history includes solo exhibitions at Clarion State College in Clarion, PA and the Everson Museum of Art in Syracuse .


The Link is one of the Community Art Spaces programmed by The Warehouse Gallery.

The Warehouse Gallery is a new contemporary art space exhibiting and commissioning work by international and local artists in a variety of media. It is located on the edge of downtown Syracuse 's Armory Square, south of the I-81/I-690 highway intersection.

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2/1/07: For Immediate Release. Dowload press release here.


Dreams: Between the Sky and the Earth
Collaborations with Children at the Edward Smith Elementary School


January 15–February 17, 2007
Tuesday–Saturday, 10:00am–6:00pm
Gallery Talk: February 15, 4:30pm


The Link
Community Art Space at The Warehouse Gallery
350 W. Fayette Street, First Floor (near the Reading Room)
Downtown Syracuse, NY


Dreams: Between the Sky and the Earth, Collaborations with Children at the Edward Smith Elementary School explores the dreams and visual imaginations of fifth grade students in the Syracuse City School District (SCSD) and is the culmination of the efforts of an innovative course, "Literacy, Community and Photography," offered through Syracuse University 's College of Visual and Performing Arts.

"Literacy, Community and Photography," inspired by a national movement to promote literacy through the arts, is taught by photographer Stephen Mahan, working in collaboration with Mary Lynn Mahan, art teacher at Edward Smith Elementary School . The course brings SU students into the elementary school classroom as teaching artists and demonstrates how a strong relationship between the arts and the basic school curriculum can promote writing as well as visual literacy among students. This pioneering course is part of the collaborative program, Partnership for Better Education, between the SCSD, SU, Light Work and partnering area institutions.

As part of the exhibition, Stephen and Mary Lynn will present the Burton Blatt Innovation Grant Gallery Talk at 4:30 p.m., Feb. 15, where they will describe their passionate commitment to teaching photography as a way to foster self esteem, written and verbal communication skills and critical thinking in the classroom. Edward Smith classrooms are based on the philosophy of whole school inclusion, which enables every child--including those with and without disabilities--to be a member of the classroom community and participate in the arts programming. The closing reception for the exhibition will follow the gallery talk, with both events open to the public.

This program is supported by Partnership for Better Education, SU, SCSD, an Innovation Grant from Burton Blatt Institute, SU's College of Visual and Performing Arts and Light Work.

 

Partnership for Better Education is supported in part through grants from SU's Burton Blatt Institute, the U.S. Department of Health and Human Services, the Verizon Foundation, the New York State Department of Education, Higher Education Services Corp. and the U.S. Department of Education.

The Link is one of three Community Art Spaces programmed by The Warehouse Gallery, located in front of the Architecture Reading Room. For information about the gallery and exhibition opportunities, visit www.The Warehouse Gallery.org

The Warehouse Gallery is a new contemporary art space exhibiting and commissioning work by international artists in a variety of media. Housed in a former furniture warehouse, it is located on the edge of downtown Syracuse 's Armory Square, south of the I-81/I-690 highway intersection.

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12/11/06: For Immediate Release. Download PDF version of Press Release here.


SUMMER INDOORS

Phenomena of Nature
Video and photographs by Cathryn Lahm

1–23 December 2006
Tuesday–Saturday, 12:00–6:00pm

The Link
Community Art Space at The Warehouse Gallery
350 W. Fayette Street (at West St)
Downtown Syracuse, New York 13202


SYRACUSE, NY—Phenomena of Nature is a video and photographic installation by Central New York artist Cathryn Lahm. Reminiscent of early video experiments, Lahm has stripped her source images of their original context, leaving the viewer with a dynamic play of black and white shapes and patterns. The artist offers subtle clues to the original, natural environment she recorded, leaving digital flames, visual static, and undulating camouflage.


Artist Statement: "I have always been fascinated by the phenomena sunlight creates: the patterns, shapes, and reflections on and through various surfaces. It’s Nature’s way of creating art. I find an instinctive, spiritual harmony in the dancing of light and shadow. With this video I’ve attempted to link organic forms and to create cohesiveness and ambiguity through the process of desaturation. The photographs printed from the video represent the emotions and spirit I experienced while making Phenomena of Nature."

About Cathryn Lahm: Born: St. Louis, Missouri. After living in several US cities and holding careers in both sports management and nursing, Lahm moved to Syracuse to pursue her childhood dream of becoming an artist. She is currently studying at Syracuse University and will complete her B.F.A. in Art Photography in May 2007.

The Link is one of three Community Art Spaces programmed by The Warehouse Gallery, located in front of the Architecture Reading Room.
The Warehouse Gallery is Syracuse’s newest contemporary art space exhibiting and commissioning work by international and local artists in a variety of media. It is located on the edge of Armory Square, south of the 81 and 690 highway intersection.

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NEW ART SPACE THE WAREHOUSE GALLERY LAUNCHES FIRST SEASON


Lewis, Glow of the City, c1929. Courtesy of the Syracuse University Art Collection

CMAC: The Roots of Collaboration

The Warehouse Gallery
Syracuse University
350 West Fayette Street
Downtown Syracuse, New York

August 24 - October 19, 2006
Reception September 21, 5 - 8 pm

Free admission and parking

Lively exhibition includes historic and contemporary international works

Syracuse, NY - The Warehouse Gallery is a brand new contemporary art space on the edge of Armory Square in downtown Syracuse, New York. Housed in the former Dunk & Bright furniture warehouse (renovated into the iconic blue and gold windowed addition to the skyline) the Gallery exhibits and commissions work by international and local artists.

Vibrant hand-painted vines lace the gallery walls, cleverly tying together the diverse works and accentuating the “family tree” theme of the exhibition, CMAC: The Roots of Collaboration, on view from August 24 through October 19, 2006. This family consists of members in the recently formed Coalition of Museum and Art Centers. CMAC, an initiative by Syracuse University Chancellor Nancy Cantor, has a mission to celebrate and explore the visual and electronic arts through exhibitions, publications, education, and scholarship. CMAC brings together the programs, services, and projects of several different campus art centers and affiliated non-profit organizations in a collaborative effort to expand the public's awareness, understanding, and involvement in the arts.

Notes The Warehouse Gallery Director Astria Suparak, who curated the show in concert with each organization, “This exhibition reveals the unique personality of each Coalition member, elucidating the different objectives and sampling treasures from each collection. It was conceived to appeal to a wide range of audiences.” She adds, “It has something for everyone, whether you're a tree-hugger, pet-lover, art buff, D&D enthusiast, political activist, contortionist, and/or artist!”

CMAC: The Roots of Collaboration is a visual guide to the coalition organizations:

  • SUArt Galleries is the new amalgamation of the Lowe Art Gallery and the University Art Collection. The Galleries' contribution to the exhibition illustrates the rich diversity of the permanent collection, from the haunting Renaissance images by Albrecht Dürer and Lucas Cranach to the sharp social commentary of Goya. The department's strength in 20th century American art is seen in Martin Lewis' sweltering New York nocturne, Glow of the City, and in a pair of chromed Art Deco poodles by Boris Lovet-Lorski.

  • Light Work's Permanent Collection includes work donated by participants in the Artist-in-Residence program. Selected for the exhibition is a photo from Chan Chao's series of Burmese Rebels, also chosen for the 2002 Whitney Biennial. A sense of calm and tenderness is captured, while also bringing greater awareness of the democracy movement in Burma. Carrie Mae Weems investigates the power of racial jokes and the tradition of oral history in a black-and-white photograph incorporating text. The signature weaving technique of Dinh Q. Lê is on view, combining images from the Vietnam War with stills from popular movies. Recognizing how Hollywood's representation of the war stretches from the hyper-real to the surreal, Lê suggests it produces a new kind of memory which is 'neither fact nor fiction.' Also exploring the border of culture and representation are the collaborative team Max Becher and Andrea Robbins. Their series German Indians looks at a long-standing German romanticization of the American West.

  • The Special Collections Research Center of Syracuse University Library displays classic images taken for Life magazine by Margaret Bourke-White, alongside her view camera and its travel case; 19th century sideshow performers from the Ronald G. Becker Collection of Charles Eisenmann Photographs; the first comic strip character, the Yellow Kid, created by Richard Outcault; and playful sketches by the Bauhaus architect Marcel Breuer.

  • Community Folk Art Center contrasts fearsome masks from West Africa with carnivalesque ones from Mexico. The wooden Liberian visors, once part of the National Museum of African Art, Smithsonian Institution, and now in CFAC's permanent collection, incorporate natural materials such as feathers and hair. The devil faces flourished with festive paint are from the Mexican folk art collection of Alejandro Garcia, director of SU's School of Social Work.

  • The finale of the show is the back room (the former vault of the building), devoted to The Warehouse Gallery's dreamy projection of the future. An enticing list of upcoming initiatives includes an Art Happy Hour for downtowners, a series highlighting young art collectives across North America, and a store for affordable, handcrafted art objects, among others. The gallery's mission is to engage the community in a dialogue regarding the role the arts can play in illuminating the critical issues of our times. Visitors can interact with the displays: a plant-shaped chalkboard asks viewers what they'd like to see in The Warehouse Gallery, clipboards gather information from potential collaborators, labeled Polaroids virtually introduce audiences to one another, and submission applications are dispensed. The gallery will commission Central New York artists to create unique installations for their street-level windows facing the busy intersection of West Fayette and West Streets.
For downloadable, press-ready images, click on title or image.

M. Becher & A. Robbins,
Karl May
Festival, Radebeaul, Germany
,

1998. Courtesy of Light Work

M. Lewis, Glow of the City,
c1929. Courtesy of the
Syracuse University Art Collection

D. Lê, Untitled, 2002.
Courtesy of Light Work

Coalition members are each matched to an indigenous tree for the exhibition CMAC: The Roots of Collaboration. This organizational strategy is in line with The Warehouse Gallery’s lively, organic growth and novel way of incorporating regional idiosyncrasies into its international exhibitions.

Fill up on art and food at The Warehouse Gallery’s picnic-themed reception on September 21, 2006, from 5–8 pm.

Press Release
: Download PDF format -- Preview online

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THE WAREHOUSE GALLERY DESIGNATES FOUR NEW VENUES FOR COMMUNITY ARTISTS
Learning Through the Lens: Collaborations with Children at the Ed Smith School
Overcoming Inertia: Fiber art by Kathryn Martini
Through A Glass Dimly: Paintings by Bill Finch

The Warehouse Gallery's Community Art Spaces
Syracuse University
350 West Fayette Street (at S. West Street)
Downtown Syracuse, New York

August 24 - October 19, 2006
Reception September 21, 5 - 8 pm

Information and press release

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